The Point Of Fashion Mary Quants Eyes And The Huge...

â€Å"The point of fashion is to not get bored of looking at somebody, I think the point of clothes for women should be, one, the one you notice, two, that you look sexy and three, that you feel good† (CBC, 2014). My essay is an insight to the relationship between what 1960s fashion was in Mary Quants eyes and the huge influence she had on youth’s attitudes, thoughts and their sense of identity. After the baby-boom – teenagers were coming into youth, they didn’t want to dress like their mothers, they didn’t want to wear makeup like them either, they were excited and obsessed with trying out new things that would rebel against the norms, creating their own identity and replacing their interest with what the 60s had to offer. The 1960s offered and permitted the young full identification and high spirit. Rock ‘n’ Roll music fitted in perfectly in young youth mood, â€Å"they had discovered that clothing and image were a means of non-verbal communication† and it was a great way of publicising an identity that was in opposition to adult standards and norms. Hence, dominant fashion designers like Mary Quant and John Stephen, designed and fashioned clothes for the young for them to express independence and empathy. Similarly influence from America came to England. Food, clothes and pop music, celebrities, were all an outlook to our obsessio ns with the trends in the 60s. Likewise, The Mods also came a part of the ‘Swinging 60s’ who were â€Å"dedicated followers of fashion and were totally

How the Persian Wars Started

During the Archaic Age, one group of Greeks pushed another from the mainland, resulting in a sizeable Hellenic population in Ionia (now Asia Minor). Eventually, these uprooted Greeks came under the rule of the Lydians of Asia Minor. In 546, Persian monarchs replaced the Lydians. The Ionian Greeks found Persian rule oppressive and attempted to revolt—with the aid of the mainland Greeks. The Persian Wars lasted from 492-449 B.C. Ionian Greeks The Athenians considered themselves Ionian; however, the term is now used a bit differently. What we consider Ionians were the Greeks the Dorians (or descendants of Hercules) pushed off mainland Greece. Ionian Greeks, who were in contact with the civilizations to their East, including Mesopotamia and ancient Iran, made many important contributions to Greek culture—especially philosophy. Croesus of Lydia King Croesus of Lydia, a man of fabled wealth, was said to have acquired his wealth from the man with the Golden Touch—Midas, son of the man who had created the Gordian Knot. Croesus is said to have been the first foreigner to come into contact with the Greek settlers of Ionia, in Asia Minor. Misinterpreting an oracle, he lost his kingdom to Persia. The Greeks chafed under Persian rule and reacted. The Persian Empire King Cyrus the Great of Persia conquered the Lydians and put King Croesus to death.* By acquiring Lydia, Cyrus was now king of the Ionian Greeks. The Greeks objected to the strains the Persians put on them, including the draft, heavy tribute, and interference in local government. A Greek tyrant of Miletus, Aristagoras, first tried to ingratiate himself with the Persians and then led a revolt against them. The Persian War The Ionian Greeks sought and received military help from mainland Greece, but once the more distant Greeks came to the attention of the African and Asian empire-building Persians, the Persians sought to annex them, too. With many more men and a despotic government going for the Persian side, it looked like a one-sided fight. King Darius of Persia Darius ruled the Persian Empire from 521-486. Going east, he conquered part of the Indian Subcontinent and attacked tribes of the Steppe, like the Scythians, but never conquered them. Nor was Darius able to conquer the Greeks. Instead, he suffered a defeat in the Battle of Marathon. This was very important for the Greeks, although fairly minor for Darius. Xerxes, the King of Persia A son of Darius, Xerxes, was more aggressive in his empire building. To avenge his fathers defeat at Marathon, he led an army of about 150,000 men and a 600-ship navy into Greece, defeating the Greeks at Thermopylae. Xerxes destroyed much of Athens, from which most of the people had fled, gathering together with other Greeks at Salamis to face their enemy. Then Xerxes suffered defeat in the battle off the island of Salamis. He left Greece, but his general Mardonius remained, only to be defeated at Plataea. Herodotus Herodotus History, a celebration of the Greek victory over the Persians, was written in the mid-fifth century B.C. Herodotus wanted to present as much information about the Persian War as he could. What sometimes reads like a travelogue, includes information on the entire Persian Empire, and simultaneously explains the origins of the conflict with references to mythological prehistory. The Delian League After an Athenian-led Greek victory over the Persians at the Battle of Salamis, in 478, Athens was put in charge of a protection alliance with the Ionian cities. The treasury was at Delos; hence the name for the alliance. Soon the leadership of Athens became oppressive, although, in one form or another, the Delian League survived until the victory of Philip of Macedonia over the Greeks at the Battle of Chaeronea. *For conflicting accounts of the death of Croesus, see: What Happened to Croesus? by J. A. S. Evans. The Classical Journal, Vol. 74, No. 1. (Oct. - Nov. 1978), pp. 34-40. Sources A History of the Ancient World, by Chester StarrThe Outbreak of the Peloponnesian War, by Donald KaganPlutarchs Life of Pericles, by H. Hold

Unpredictable Impacts Of Alzheimer s Disease And Their...

Unpredictable Impacts of Alzheimer’s disease and Their Effects on Social Institutions Wesley Scott Miami University â€Å"It s paradoxical that the idea of living a long life appeals to everyone, but the idea of getting old doesn t appeal to anyone.† – Andy Rooney Imagine what it is like to forget a loved one’s face. Consider the possibility of being lost in a once familiar place. Although these actions could be symptomatic of old age, they might also suggest the onset of a much more sinister situation. It is difficult to understand the erratic behavior of those who were once lucid and transparent in their dealings. However, their odd and exhibited behaviors may not be intentional. There must be a cause identified in relation to such†¦show more content†¦The sickness was first discovered in 1906 by a German physician named Dr. Alois Alzheimer. â€Å"One of Dr. Alzheimer s patients died after years of severe memory problems, confusion and difficulty understanding questions. Upon her death, while performing a brain autopsy, the doctor noted dense deposits surrounding the nerve cells (neuritic plaques). Inside the nerve cells he observed twisted bands of fibers (neurofibrillary tangles).† (Bright Focus Foundation, 2014) Several societies celebrate their elderly population. These cultures include Native Americans, Koreans, and African Americans. (Huffington Post, 2015) Conversely, there are distinct changes to this paradigm once an individual is diagnosed with Alzheimer’s disease. These individuals may be made to feel inferior, treated like children, or ignored altogether. A derivative type of protein, Aï  ¢Ã¯â‚¬ ´Ã¯â‚¬ ²Ã¯â‚¬ ¬Ã¯â‚¬   has been shown to be present in the early onset of Alzheimer’s disease. This presence of this element is thought, â€Å"†¦to initiate a pathogenic cascade ultimately leading to neuronal loss and dementia.† (Doody Allsop, 1991) Though this explanation is vastly oversimplified, it represents a complex disease progression that, although continually researched, is still not entirely understood. There are several significant statistics regarding Alzheimer’s disease in the United States. †¢ Of the 5.3 million Americans with Alzheimer s, an estimated 5.1 million people are age 65 and older, and

European Renaissance Essay Example For Students

European Renaissance Essay Empire and the Pope Renaissance is the name traditionally bestowed upon the remarkable outpouring of intellectual and artistic energy and talent that accompanied the transition of Europe from the middle ages to the modern epoch. The term is extended to politics and economics as well. The Renaissance was one of the most significant movements in European history, because it effected a change in mans attitude towards the problem of human existence. However, historians have long debated what is meant by the term Renaissance. For some it is a distinctive period, for others a momentous event and for a third group a definable movement of ideas and beliefs. Each choice has its problem and detractors. The Dutch historian Johan Hugging wrote. At the sound of the word Renaissance the dreamer of past beauty sees purple and gold. More exactly he or she sees in the minds eye Botulisms Birth of Venus, Michelangelo David, Leonardo Monomials, Erasmus, the Chateaux of the Loire and Faerie Queen, all rolled into one, into a composite picture of a golden age of creativity and culture. Jacob Bureaucrat in his famous Civilization of the Renaissance in Italy (1860) defined the period in terms of two concepts, individualism and modernity. He wrote, In the Middle Ages human consciousness Lay dreaming or half awake beneath a common veil Man was conscious of himself only as a member of a race, people, party, family or corporation only through some general category. In Renaissance Italy, however, the veil first melted into thin air An became a spiritual individual and recognized himself as such, Renaissance meant modernity. It began in Italy and at a later stage spread to the rest of Europe. Peter Burke comments that the grand edifice created by Bureaucrat and his contemporaries has not stood the test of time. It has been undermined by the researchers the medievalists in particular. They argue that in the first place the Renaissance men were really rather medieval. They were more traditional in their behavior assumptions and ideals than we tend to think. Two of the most famous books written in 6th century Italy, the Courtier and the Prince, have turned out to be closer to the Middle Ages than they appear. Secondly, the medievalists have accumulated arguments to the effect that the Renaissance was not such a singular event as Bureaucrat and his contemporaries once thought and the term should really be used n the plural. There were famous Renaissance n the Middle Ages, notably on the 12th Century and in the age of Charlemagne. Can we therefore assume there was no Renaissance at all? Here Peter Burke comes to our rescue. He says, if we describe the Renaissance in purple and gold, as an isolated cultural miracle or as the sudden emergence of modernity, my own answer would be no. If however, the word is used without prejudice to the achievements of the Middle Ages, or those of the world beyond Europe, to refer to a particular cluster of changes in western culture, then it ay be regarded as an organizing concept which still has its uses. J. M. Thompson has very succinctly summed up what is meant by the Renaissance. Let the word be freedom. Freedom from the tyranny none the less cramping because so easily borne of the medieval world order. Freedom of thought from Aristotle as interpreted by Aquinas. Freedom in history from the parochialism and credulity of the monastic chronicler. Freedom in art, from the illustrated manuscript and the stained glass window. Freedom of literature from the censorship of the Church. In politics freedom from feudalism: in religion from traditionalism. With a new universe in the sky, a new world across the sea and anew learning on his study shelf, the 16th century student might well feel that the old age was passing away and that the dawn off new age was at hand. SOCIAL ROOTS The Renaissance was actually not so much a particular movement as a concrete expression of changing mentalities in a new world. A movement implies a definite period of activity with a precise beginning and end. The Renaissance had neither. It is however generally assumed to have started with the activities of the first humanist Francesco Patriarch as he is commonly known. Reading Quiz #1 RenaissanceLeonardo dad Vinci sought the patronage of Cesar Boring as well as Spoors, Raphael began his career in war ravaged Peruvian, Ladinos frescoes, Liberties churches and Vitiations influence in education, all brought fame to Mantra. Social circumstances were also very favorable to the artists and craftsman. There was a deep rooted tradition of early Christian Europe that buildings were a part of Christian life. So the wealthy ordered their parish churches and founded and patronized monasteries, nunneries and cathedrals. The Popes were the foremost in this field. It was also a custom for the princes to adorn their palaces, and so provide an impetus to the crafts of metal work, jewelry, tapestries and frescoes. Since the competitive state system of the Renaissance Italy was obsessed not only with power and war but also with the furtherance of art, Venice and Florence, the two republics were Jealous of their menus. Money and social energy was poured into art. In the competition of artists was added the competition for artists. Now merchant princes and despots were vying for the service of the great architects, sculptors, painters and scholars. Many of the rulers of the smaller states cultivated a princely style of generosity to arts and magnificence in order to popularize their rule. The patrons spent their fortunes in ways that would benefit the community. The building of chapels and the commissioning of many public works of art were a result of a new conception of wealth spent for civil purposes. New modes of religious thought and feeling underlay new styles in architecture, sculpture and painting. With patronage becoming competitive, the arts became more costly. Renaissance society was meant for rich men, rich cities and rich Popes. To maintain the expenses of the Renaissance art, culture and society, an active and profitable commerce was essential. Venice, Florence, Milan and Rome were full of wealthy men who patronized the Renaissance achievements and nurtured genius. Among the Italians, the Florentine especially revered the wisdom, grace, philosophy and literature of the antiquity. By 1400 there ere hundreds of merchants of Italy who could afford to patronize art when earlier it was only the prerogative of the aristocracy. In Florence, Milan, Rome and Venice, the practice and patronage of art had become a civic virtue. Ferreira, Bologna and Robin also had talents. Though the cities of the papal states was war torn because the Pope was in Avignon, and both trade and population had declined there, yet artistic life did flourish in Peruvian (Perusing frescos, Bastions and Repeals paintings). Constant fighting turned the Renaissance historians and political philosophies into supporters f tyranny, since it ensured peace and order, as in the case of Machiavelli. Renaissance statecraft is typified by a single man Nicola Machiavelli who belonged to Florence. He was highly influenced by the constant warfare of those times and also by the fact that Florence continued to be a republic in spite of the ambitions of the Duke of Milan. By resisting him, the Florentine saved the liberty of both Florence and Italy. The outcome of the crisis made Florence the centre of new humanism, a new appreciation of political liberty and civic virtue and a new attitude towards mans place in society. It was this attitude that ensured the independence of the major Italian states and consequently the vigor and diversity of Italian artistic and cultural development which characterized the Renaissance. Trade, high finance, a large and a partially urbanize population, quickening industry and the absence of a deeply rooted, all-powerful political structure, all helped the future development of Renaissance Italy. Renaissance was a movement of cities where a rich urban class, free from the pressures of feudalism flourished. The Italian city-state formed a perfect domicile for the Renaissance art and literature.